《诺玛的回忆》双钢琴演出视觉
2024
双钢琴曲目
11′34″
该作品以李斯特《诺玛的回忆》双钢琴改编曲为创作基础，通过多媒体动态 影像与音乐的深度结合，重新诠释古典音乐的当代意义，探索爱与牺牲这一永恒 主题。
音乐素材来源于贝利尼歌剧《诺玛》， 其戏剧性和情感深度为作品的视觉表达提供了丰富的灵感来源。李斯特的钢琴改编曲以双钢琴交织的形式构建出层次复杂、情感浓烈的音乐叙事，而多媒体视觉艺术则试图在舞台上为这一叙事赋予具体的形态，使不可见的声音化为可感的影像，构建出一个多维度的沉浸式体验。
视觉表现形式主要采用投影与舞台灯光的互动，通过光与影的流动、色彩的转 变以及动态影像的层次化设计，展现《诺玛》原作中自然与人性之间的冲突。光 影的起伏模拟了大自然的呼吸， 如森林、星空、月光等意象不断变幻， 象征着情感的张力与命运的无常。
舞台灯光则进一步强化这种张力，灯光的明暗变化与音乐节奏紧密呼应， 既是对音乐情感的延伸，也是对其内在力量的解构与重组。与此同时， 动态影像并非单纯地追随音乐，而是以一种辩证的方式与之对话：在某些时刻，影像静止于音乐的激烈段落， 反而放大了情绪的冲突； 在另一些时刻，影像超越音乐的叙事线索，给予观众更多的诠释空间。
该作品不仅是对经典的致敬， 更是一次哲学性的探索：声音与视觉如何彼此渗透、相互补充， 最终共同创造出一种超越单一感官体验的整体艺术。音乐的线性时间在视觉中被拆解重构，观众在光影的包围中体会到音乐的张力与深度，仿佛穿行于情感与自然的边界。作品旨在唤起观众对爱与牺牲这一主题的思考，同时通过声音与视觉的交融， 探讨艺术表达的无限可能性。
Based on Liszt's two-piano arrangement of Norma's Memories, the work reinterprets the contemporary meaning of classical music and explores the eternal themes of love and sacrifice through the in-depth integration of multimedia moving images and music.
The musical material is derived from Bellini's opera Norma, whose dramatic and emotional depth provides a rich source of inspiration for the visual expression of the work. Liszt's piano arrangements construct a complex and emotionally charged musical narrative in the form of two pianos, while multimedia visual art attempts to give concrete form to this narrative on stage, turning invisible sounds into perceptible images, and constructing a multi-dimensional immersive experience.
The visual expression mainly uses the interaction between projection and stage lighting, through the flow of light and shadow, the transformation of colors, and the hierarchical design of moving images, showing the conflict between nature and human nature in the original work of Norma. The ups and downs of light and shadow simulate the breathing of nature, such as the ever-changing imagery of forests, starry skies, and moonlight, symbolizing the tension of emotions and the impermanence of fate.
This tension is further strengthened by stage lighting, and the light and shade changes closely echo the rhythm of the music, which is not only an extension of the emotion of the music, but also a deconstruction and reorganization of its inner strength. At the same time, the moving image does not simply follow the music, but dialogues with it in a dialectical way: at some moments, the image is still in the intense passages of the music, but instead amplifies the conflict of emotions; At other moments, the video transcends the narrative thread of the music and gives the viewer more room for interpretation.
The work is not only a tribute to the classics, but also a philosophical exploration of how sound and sight can permeate and complement each other, ultimately creating a holistic art that transcends a single sensory experience. The linear time of music is disassembled and reconstructed visually, and the audience experiences the tension and depth of music surrounded by light and shadow, as if walking through the boundary between emotion and nature. The work aims to evoke the viewer's reflection on the themes of love and sacrifice, while exploring the infinite possibilities of artistic expression through the fusion of sound and vision.